Guitar Lesson 39: Exploring chords and substituting extensions for colourful rhythmic playing
Guitar lesson 39 is a study of chord types by working through many of the major and dominant possibilities. By adding each note of a scale to a triad, Dan shows me how to explore chord sounds rather than shapes. We also look at upper extensions and finally look at one way to use chords which are out of key. Dan also raises substitution as a way really build interest rhythmic parts. Thank you for tuning in and for all your comments and support.
Main timings:
00:01:26 | Introductory questions and how to think about chords |
00:05:43 | How are chords formed and how do we name them? |
00:15:53 | Introducing the idea of adding each note in turn from the scale |
00:16:38 | Adding the 6 (A) = C6 |
00:20:47 | Ear training, singing, melodies and active listening |
00:35:09 | The next note is the 7 (B) forming a CMaj7 |
00:39:43 | Example of using as substitutions |
00:39:56 | Introducing the Blues as using dominant 7th instead of major 7th |
00:44:55 | Second octave |
00:45:44 | Forming a C9 by stacking the b7 and the 9 |
00:46:20 | Stacking the major7 with a 9 = Cmaj9 |
00:47:25 | Stacking a C9 (1,3,5,7,9) with an 11 = C11 |
00:48:56 | Minor version with the minor 3rd instead of the major 3rd |
00:50:49 | Adding the 13 (A) = C13 |
00:55:39 | Demonstrating substituting |
00:59:23 | Covering chords which fall out of the key |
Detailed timings:
00:01:26 | I introduce the lesson by asking for some input about how to think about and use chords |
00:03:08 | What chords (and scales) go together well and why? |
00:05:43 | How are chords formed and how do we name them to identify their structure? |
00:10:39 | Chords are not ‘shapes’, they are notes played together in quick succession |
00:14:02 | Using sus chords as passing chords |
00:15:53 | When considering all the different types of chords possible, then it is a case of adding each note from the scale |
00:16:38 | Adding the 6 (A) = C6 |
00:18:03 | Attach a memory, meaning, name, sound to each chord to be able to audiate the kind of sound it will make |
00:20:47 | Identifying intervals by ear, attaching songs to different intervals and the value of singing |
00:21:56 | Playing and singing harmonies |
00:24:26 | Sing your licks with an example from Dan, developing your unique sound and playing melodically |
00:32:36 | You only get that personal stamp on your sound when someone chases the sound in their head |
00:33:13 | Make sure you practice engaging your ears and listening to the rest of the band when you play and be responsive |
00:35:09 | The next note is the 7 (B) forming a CMaj7 |
00:35:44 | How the chords are structured with the order of the notes within the chords |
00:36:48 | Another exercise is to keep the different chords close together on the fretboard |
00:37:59 | Recap of all the chord types we have got so far and using them as substitutions when playing rhythm |
00:39:43 | Example of using substitutions |
00:39:56 | Introducing the Blues as using dominant 7th instead of major 7th – or chords forming from the Mixolydian mode instead of the major scale |
00:43:58 | Mustang Sally as 7th chord song |
00:44:55 | So now we move to the second octave |
00:45:44 | Forming a C9 by stacking the b7 and the 9 |
00:46:20 | Stacking the major7 with a 9 = Cmaj9 |
00:47:25 | Stacking a C9 (1,3,5,7,9) with an 11 = C11 |
00:48:56 | Minor version with the minor 3rd instead of the major 3rd |
00:50:15 | The need on the guitar to drop some notes – first the 3rd, or 5th |
00:50:49 | Adding the 13 (A) = C13 |
00:53:47 | The other thing to do when exploring chords is to find inversions |
00:55:39 | Demonstrating substituting dominant chords – C7, C9, C13, etc.. |
00:56:23 | Demonstrating substituting major 7th chords with maj9 maj13, etc. |
00:56:30 | Homework: take other scales and run through the same exercise (perhaps also the modes) |
00:59:23 | Covering chords which fall out of the key and a quick discussion of George Harrison as a guitarist |
01:00:52 | Lick from I Feel Fine |
01:01:06 | Mention of Chet Atkins influence on George Harrison |
01:02:19 | Return to the topic of quick discussion of chords which fall slightly out of key |
Tune in Tone up News:
Tune in Tone up meeting, masterclass and workshop
- Firstly, a great way to connect with us is through our Facebook page, Twitter account and website emailing list. Quite a few of our listeners have been in touch via our Facebook page, where you can also find pictures of both me and Dan; our guitars, amps and pedalboards. We are based in the South of England and over the next few months we are planning a Tune in Tone up meeting, masterclass and workshop. If you are based locally or could travel to Brighton, like this idea and want to be involved, then let us know that you’re interested and stay active on our Facebook page for developments.
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