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Our lesson today is about gaining some go to and rehearsed sequences and ways of travelling around the fretboard between the different pentatonic patterns. There are some great ideas within on breaking out of the pentatonic box and developing some methods of linking the scale patterns as you are improvising. The benefit of rehearsing these sequences is that you can practise them and woodshed them to be able to deliver them at speeds which will really add some rhythmic fairy dust and exude the ‘wow’ factor.
Timings for the SoundCloud audio version
00:00:34 | TrueFire introduction |
00:02:16 | First improvisation |
00:06:29 | Review of last episode |
00:07:24 | Introduction to today’s podcast |
00:08:20 | Getting away from box shapes and scale patterns |
00:08:47 | The 12th fret Em Pentatonic and spicing it up |
00:11:24 | Look at strings in 3 pairs – E and A, D and G, B and E |
00:12:28 | Mention of Tom Quayle |
00:13:41 | Limit your lick to two strings then repeat in three octaves |
00:14:04 | Example of this idea |
00:15:43 | Full Em scale with 3 notes on E string, then 4 notes on A x3 |
00:16:26 | The Em scale over two strings, repeated |
00:17:24 | Em pentatonic same idea: [E, G, A / B, >D] |
00:18:00 | Repeat x4 on these strings: EA, AD, DG, BE |
00:19:34 | 2nd Jam over the track |
00:24:01 | End of improv |
00:24:32 | The useful logic of the layout of notes on a piano (vs the guitar) |
00:25:09 | Use fret markers as guides |
00:27:21 | Minor pentatonic starting with the root note on the A string |
00:30:02 | Reminder of the pentatonic, blues, pedestrian and dorian mode |
00:31:01 | How to travel from position 4 to position 1? |
00:31:20 | Going through position 5 |
00:31:41 | Linking patterns together |
00:31:58 | Hammer on two strings and return to the second notes in 5s |
00:32:46 | Carry the sequences up on the two middle strings |
00:34:01 | Another suggestion is to use the 3 notes sequence to transfer up through the positions |
00:35:39 | Slow breakdown of a 3 note sequence moving up the fretboard |
00:36:41 | You can also connect using the four note pattern sequence |
00:37:52 | Going down in fours on the top E and B string until you get to position four |
00:38:53 | You can do this same sequence but in reverse, ascending the fretboard |
00:39:42 | Why some people might be a bit scared of improvising and the reality of the ‘trick bag’ |
00:40:55 | Aim to have a few things to draw on in whichever key or mode you might need |
00:41:19 | Phrygian solo ideas |
00:42:02 | Dan identifying the plateau which may come from getting stuck in the Blues pattern |
00:42:20 | Extend the time spent going from A to B by sequencing |
00:42:43 | Sequence across patterns to extend the duration |
00:43:22 | Be melodic but be able to extend your phrases by using sequences |
00:44:30 | To develop your own sound develop flairs, styles and ways of negotiating the fretboard |
00:44:51 | You want to be able to do this with ease and not be worrying when the moment approaches |
00:45:49 | The wow factor: Joe Bonamassa and developing playing full of sequences and symmetry |
00:46:19 | How to make things symmetrical: choose notes like the 6th and 9th to help make things more easy to play under the fingers |
00:48:17 | Get the book by Guthrie Govan: Creative Guitar |
00:49:04 | Summary: 1) duplicate patterns on pairs of strings and 2) learn sequences to connect patterns |
00:50:35 | Isolate the sequence to use between melodic playing or different positions |
PREVIOUS EPISODES IN THIS MINI STUDY
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You may want to check Dan Davies out in action. You can find Dan’s album on Spotify and other streaming music sites, like Apple Music (click the links to take you to his album ‘Flight’)
Enjoy your musical journey and be in touch!
Gary and Dan